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Arts and Technics The statues in the round, of which about two dozen are presented in the exhibition, are generally anthropomorphic. Some are life-size. They are mainly realistic, dynamic, vigorous and expressive. Some are clad in beads and cowries. They represent figures (kings, queens, princesses, notables. retainers, guardians, warriors etc.) bearing the headdresses and insignia relative to their attributions. Face and eyes express, depending on the case: serenity, majesty, vivaciousness, threat or mystery etc. The motifs decorating the surfaces of the works (sometimes polished) are schematised, with a geometric tendency.
They can also be figurative. The sculptures are of a great variety as far as their styles, shapes and ritual functions in the community are concerned (cults of royal ancestors, divining, healing, justice, twin worship, warrior ceremonies, agricultural and fertility rites). They are not all exhibited to the public and those that are associated with an occult power are often kept away from indiscrete eyes. We can note that several other figures are not functional or do not have any religious function. The majority of the statues displayed were made a long time after the reigns of the kings and queens represented; they are therefore not always contemporary of the people they represent. This is made up of portable stools (sometimes covered with beads and cowries), ceremonial thrones with large backrests, beds and tables, all very well sculpted. The main pieces are decorated with geometric shapes. Animal figures executed with harmony and rhythm, in a rich and complex composition. The shape, cut and decoration of the seat depend on the rank and place of the individual or collective owner in the community. From his accession, the heir (fon or notable) who succeeds his father has a seat made which keeps a commemorative value even after his death. Stools and thrones of the fon appear in different ceremonies and royal cults, and have to be included amongst the most impressive of the symbols of royalty in Babungo and the whole of the Grassland.
In Babungo, different musical instruments made of wood, metal or ivory are used in leisure or for various activities of the social life at court. Many of them belonging to the fon, the notables and secret societies play a liturgical role, accompanying or giving rhythm to songs, dances and processions. Some iron specimens are alleged to have taken part in the foundation of the kingdom. Here, some of the objects (drums, harps, flutes, gongs) have a sacred character and have been sanctified by sacrifices and magical practices. In this case, it is dangerous and forbidden to look at them, especially when they emit sound. Of these numerous musical instruments, the most important in Babungo social and religious life are the gongs, flutes, drums and harps, at times richly decorated.
The kwifo, made up of two tall wrought iron gongs, connected by a metal handle often reinforced and embellished by ties, is the most sacred instrument in the Grassland. It is associated with the tifuan. The simple or sculpted ivory horns belong personally to the fon. They can only be played when a grave ranger threatens Babungo. The smaller and richly decorated horns are used by the heads of the warrior societies. The cylindrical bamboo flute, which can at times be decorated with beads, is a sacred instrument that is sometimes played together with gongs. The slit and membrane drums are remarkable by their dimensions, which can be highly impressive, and the extraordinary wealth of their decoration.
Masks, Costumes and Personal Adornments Masks are of a great diversity both on the morphological level and as far as their political, social, religious, therapeutic, ritual and judicial functions are concerned. Hundreds of masks are to be found in the royal palace of Babungo and in the treasures of notables and secret societies. The specimens on display are anthropomorphic, zoomorphic, anthropo- zoomorphic and hybrid. Generally they are richly decorated and in an expressionist style. Some are covered with cowries and multicoloured beads. Each mask belongs here to a specific society, which uses it during processions, dances or ceremonies.
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